May 25, 2019 @ 9:00 pm – May 26, 2019 @ 12:00 am
The Talent Club
114 Talent Ave
Talent, OR 97540
The Talent Club
(541) 535-2721

Lance Canales and The Flood

Live at the Talent Club

Saturday May 25th, 2019
Doors: 8pm Show: 9pm
$10 cover at the door


Lance Canales May 25, 2019 lie at the Talent Club, Talent, Oregon

Lance Canales and The Flood

Lance Canales & The Flood are a roots-blues influenced Americana trio from California’s breadbasket, where Canales lived the life that so many songs have been written about since the birth of roots music – hard labor, one room shacks and taunting ghosts whispering of a better life. Canales’ guttural vocals combine a hard-edged storytelling approach beneath a stripped down, foot-stomping, acoustic instrumentation.

The Flood are made up of stand up bassist, Jake (Cobra) Finney and American Roots drummer (DB) Daniel Burt. Burt keeps the rhythm along with the crowd, as Canales, described on the blog “Bound for Glory” by music Journalist, Robin Wheeler, “… plays hollow-bodied, anger-fueled blues guitar. He growls and stomps with his feet clad in the heavy work boots of his grandfather…”

Canales garnered a reputation as a child of being able to train wild horses and for years was forced to take his lumps in order to help his family make ends meet. It wasn’t until he confiscated an older sister’s beat up guitar and combined it with vocals he’d discovered in his mother’s fire and brimstone church that he was able to slowly carve a way out of the hard toil life with his music.

While Canales may have left that life behind that life, he has never left his music. The bands 2012 released album “Elixir” is no exception. In the song “Digging” a desperate man enters a church house where he finds a, “…preacher screaming fire and hell. People screaming, running, crying, but still I felt no soul.”

Canales played solo for years until he began craving a fuller sound and energy to his music and enlisted “The Flood.” They’ve been together since 2009. The musicians change from time to time, but Canales hand picks the very best Central Valley California musicians.

In 2012 Lance Canales did the soundtrack for the documentary “Dancing the Salmon Home” which was featured at film festivals across the country. In February 2013 Canales released the single “Plane Crash at Los Gatos: Deportee” (a poem) written by Woody Guthrie in 1948 and labeled by Saint Louis Magazine as a, “gut-wrenchingly beautiful rendition.” Guthrie’s song has been covered by many stellar musicians, but what makes this version so important is that it reveals the names of the Mexican nationals that were simply dubbed as “deportees” in the original news article. After first performing the song with author/poet Tim Z Hernandez reading the names at the 2012 Steinbeck Festival, Canales decided he wanted to do more for the “deportees.” They were buried in a mass, unmarked grave in Fresno, California, where Canales now resides. In August of 2013, Lance Canales in collaboration with Nora Guthrie and the Guthrie Foundation and Tim Z Hernandez, put on a concert to raise $10,000 for a historic memorial headstone for the “deportees.”

Canales initiated the idea and fundraising efforts to place a memorial headstone with the names of the plane crash victims of the famous song who were discovered buried nameless in a mass grave in Fresno, California, where he lives. On September 2nd 2013, in a historic moment, the monument came to light and was attended by hundreds of people from all over the country. A L.A. times reporter captured a shot of Canales knelt down to the unveiled monument in a moment of clear emotional triumph next to the grandson of one of the plane crash victims.



“The big buzz at Folk Alliance this year was around Lance Canales, who had us all on the edge of our seats as he stomped across the stage delivering a stark blues twang-and-thump set that sounded like it had been born somewhere between a back alley and a field worker’s camp. If this isn’t authentic roots music then I don’t know what is.” Eliza Gilkyson

“their music is a rough-hewn amalgam of Americana, blues, folk and rock, bashed out on old instruments… it feels for all the world like the real deal.” Eugene Robinson OZY.COM


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